Kino Lorber (Firm)

Martin Kosleck and Hans Heinz von Twardowski, two German actors, fleeing the Nazi regime, come to Hollywood to find work. Most of the time they are asked to play Nazi officers and are reminded all the time what they fled from. But you can never escape your accent. In a sense, they are ground up in the Hollywood system. Although they were stars who worked on the stage and in movies in Germany, in Hollywood they were minor character actors, completely...

From acclaimed filmmaker Mark Pellington (The Mothman Prophecies) comes a visceral and powerful feature-length dance film. This cathartic movement piece was created in collaboration with the brilliant choreographer Nina McNeely (Gaspar Noe's Climax), rising Dutch cinematographer Evelin Van Rei, and editor Sergio Pinheiro. Inspired by the Wim Wenders film Pina, Pellington was interested in expressing feelings and emotions through a 'narrative of movement...

Movies about movies-they always seem to have scenes set in screening rooms. And we, the audiences, are invited in, to see how the film business works. The screening rooms seem to be sacrosanct chapels where one can worship but it's also a place where the people behind the movie screens can let their hair down and reveal their most inner thoughts about each other. It's a private place in a very public arena. It's a microcosm of the world but it can...

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before...

Drawing from hundreds of hours of footage, filmmaker Rudy Valdez shows the aftermath of his sister Cindy's 15-year sentence for conspiracy charges related to crimes committed by her deceased ex-boyfriend-something known, in legal terms, as "the girlfriend problem." Valdez's method of coping with this tragedy is to film his sister's family for her, both the everyday details and the milestones-moments Cindy herself can no longer share in. But in the...

Loving Highsmith is a unique look at the life of celebrated American author Patricia Highsmith based on her diaries and notebooks and the intimate reflections of her lovers, friends and family. Focusing on Highsmith's quest for love and her troubled identity, the film sheds new light on her life and writing. Most of Highsmith's novels were adapted for the big screen; the best known of these are Strangers on a Train and The Talented Mr. Ripley. Carol,...

Maya Deren is one of the most important American experimental filmmakers of all time. Along with being a filmmaker, Deren was a choreographer, dancer, film theorist, poet, lecturer and photographer, and she brings all of these disciplines together in her dreamlike and ecstatic films. Stan Brakhage called Maya Deren "the mother of us all." The history of avant-garde film is unthinkable without her.

When Dr. Haing S. Ngor was forced into labor camps by the Khmer Rouge, little did he know he would escape four years of torture and be called upon to recreate his experiences in a film that would earn him an Academy Award®. For the Chinese-Cambodian doctor, "Nothing has shaped my life as much as surviving the Pol Pot regime. I am a survivor of the Cambodian holocaust. That's who I am." And little did anyone know that some twenty years later, Dr....

Jonas Mekas' first completed diary film is an epic portrait of the New York avant-garde arts scene of the 1960s, featuring many of Mekas' friends of that period, including Andy Warhol, John Lennon, Yoko Ono and The Velvet Underground. *"...a groundbreaking work of personal cinema." - **Experimental Cinema***

In February 2002 - about a year before the U.S. invasion - Iraqi filmmaker Abbas Fahdel traveled home from France to capture everyday life as his country prepared for war. No strangers to war, the Iraqis thought they understood what was coming, and could even manage to be grimly humorous about what they felt would likely be a major and lengthy inconvenience. And then, the war began. When Fahdel resumed filming in 2003, two weeks after the invasion,...